Gertrude Bell: Queen of the Desert, Shaper of Nations
by Georgina Howell
from Farrar, Straus and Giroux
She traveled the globe several times, but her passion was the desert, where she traveled with only her guns and her servants. Her vast knowledge of the region made her indispensable to the Cairo Intelligence Office of the British government during World War I. She advised the Viceroy of India; then, as an army major, she traveled to the front lines in Mesopotamia. There, she supported the creation of an autonomous Arab nation for Iraq, promoting and manipulating the election of King Faisal to the throne and helping to draw the borders of the fledgling state. Gertrude Bell, vividly told and impeccably researched by Georgina Howell, is a richly compelling portrait of a woman who transcended the restrictions of her class and times, and in so doing, created a remarkable and enduring legacy.
The Last Lion: Winston Spencer Churchill, Visions of Glory
by William Manchester
from Little, Brown and Company
William Wilberforce: The Life of the Great Anti-Slave Trade Campaigner
by William Hague
from Harcourt
The Last Lion: Winston Spencer Churchill, Alone 1932-1940
by William Manchester
from Little, Brown and Company
The Man Who Changed Everything: The Life of James Clerk Maxwell
by Basil Mahon
from Wiley
This is the first biography in twenty years of James Clerk Maxwell, one of the
greatest scientists of our time and yet a man relatively unknown to the wider public. Approaching science with a freshness unbound by convention or
previous expectations, he produced some of the most original scientific thinking
of the nineteenth century and his discoveries went on to shape the twentieth
century.
This is the first biography in twenty years of James Clerk Maxwell, one of the greatest scientists of our time and yet a man relatively unknown to the wider public. Approaching science with a freshness unbound by convention or previous expectations, he produced some of the most original scientific thinking of the nineteenth century and his discoveries went on to shape the twentieth century.
The Lion and the Unicorn: Gladstone vs. Disraeli
by Richard Aldous
from W. W. Norton
The vicious political struggle that electrified Victorian society, brilliantly re-created for a new generation.
William Gladstone and Benjamin Disraeli were the fiercest political rivals of the nineteenth century. Their intense mutual hatred was both ideologically driven and deeply personal. Their vitriolic duels, carried out over decades, lend profound insight into the social and political currents that dominated Victorian England. To Disraeli—a legendary dandy descended from Sephardic Jews—his antagonist was an "unprincipled maniac" characterized by an "extraordinary mixture of envy, vindictiveness, hypocrisy, and superstition." For the conservative aristocrat Gladstone, his rival was "the Grand Corrupter," whose destruction he plotted "day and night, week by week, month by month." In the tradition of Roy Jenkins and A. N. Wilson, Richard Aldous has written an outstanding political biography, giving us the first dual portrait of this intense and momentous rivalry. Aldous's vivid narrative style—by turns powerful, witty, and stirring—brings new life to the Gladstone and Disraeli story and confirms a perennial truth: in politics, everything is personal. 16 pages of illustrations.
Victoria's Daughters
by Jerrold M. Packard
from St. Martin's Griffin
Incisive character studies of Queen Victoria's five daughters provide the framework for a lively survey of 19th-century European history. With three brothers securing the English throne, the princesses' royal duty was to further Britain's interests through marriage. Vivacious, intelligent Vicky (1840-1901), the spoiled eldest, had a happy union with Hohenzollern prince Frederick William, though her liberal views were unpopular in Prussia and vehemently resisted by her son Willy, who eventually became the emperor of Germany. Sensitive, altruistic Alice (1843-78); dutiful, dull Lenchen (1846-1923); and shy baby sister Beatrice (1857-1944) all married minor German royalty--though Beatrice, intended to be her domineering mother's spinster companion, didn't marry until she was 28 and continued to live in England at Victoria's beck and call. Centuries-old custom dictated that princesses must not wed subjects, but artistic, rebellious Louise (1848-1939) married a Scottish nobleman anyway and managed to lead a slightly less restricted life than her sisters, particularly as a strong supporter of charitable organizations for women. Jerrold Packard, a veteran historian-biographer with six previous books to his credit, spins an enjoyably old-fashioned narrative emphasizing personal relationships among Europe's royalty and their impact on political developments. --Wendy Smith
Vicky, Alice, Helena, Louise, and Beatrice were historically unique sisters, born to a sovereign who ruled over a quarter of the earth's people and who gave her name to an era: Queen Victoria. Two of these princesses would themselves produce children of immense consequence. All five would face the social restrictions and familial machinations borne by ninetheenth-century women of far less exalted class.
Researched at the houses and palaces of its five subjects-- in London, Scotland, Berlin, Darmstadt, and Ottawa-- Victoria's Daughters examines a generation of royal women who were dominated by their mother, married off as much for political advantage as for love, and passed over entirely when their brother Bertie ascended to the throne. Packard, an experienced biographer whose last book chronicled Victoria's final days, provides valuable insights into their complex, oft-tragic lives as scions of Europe's most influential dynasty, and daughters of their own very troubled times.
The Anatomist: A True Story of Gray's Anatomy
by Bill Hayes
from Ballantine Books
"Hayes’s history of the illustrated medical text “Gray’s Anatomy” coincides with the hundred-and-fiftieth anniversary of its first publication. Fascinated by the fact that little was known about the famous book’s genesis, Hayes combed through nineteenth-century letters and medical-school records, learning that, besides Henry Gray, the brilliant scholar and surgeon who wrote the text, another anatomist was crucial to the book’s popularity: Henry Vandyke Carter, who provided its painstaking drawings. Hayes moves nimbly between the dour streets of Victorian London, where Gray and Carter trained at St. George’s Hospital, and the sunnier classrooms of a West Coast university filled with athletic physical therapists in training, where he enrolls in anatomy classes and discovers that “when done well, dissection is very pleasing aesthetically.” - The New Yorker
"All laud and honor to Hayes....In perusing the body's 650 muscles and 206 bones, he has made the case that we are, as the psalmist wrote, "fearfully and wonderfully made" and that dissection has an aesthetic all its own. The act of carving open a body becomes, in this context, a perverse act of love, a desecration that consecrates "the extraordinary, the inner architecture of the human form." - The Washington Post
"How do you write a book about someone about whom next to nothing is known? For most writers, the answer would be move on to the next subject. But Bill Hayes has an unusual set of skills. The author of previous books on insomnia and blood, he is part science writer, part memoirist, part culture explainer. “The Anatomist,” his appealing new book about the man behind Gray’s Anatomy, combines his search for the remaining traces of Henry Gray with a memoir of his own experience as a dissection student and a scalpel’s-eye tour of the body." - The New York Times
"Some of [Hayes's] most memorable writing describes the dissection classes he attended in San Francisco. We are treated to a selection of fascinating anatomical snippets about, for example, how to trace evidence of the sealed hole in the fetal heart through which the mother's blood enters; or how to find the kidney in a cadaver; or that blood flowing out of the heart is first used to feed the heart itself; or, best of all, a structural analysis of how the Queen manages to deliver such a uniquely restrained wave." - Nature: The International Weekly Journal of Science
The classic medical text known as Gray’s Anatomy is one of the most famous books ever written. Now, on the 150th anniversary of its publication, acclaimed science writer and master of narrative nonfiction Bill Hayes has written the fascinating, never-before-told true story of how this seminal volume came to be. A blend of history, science, culture, and Hayes’s own personal experiences, The Anatomist is this author’s most accomplished and affecting work to date.
With passion and wit, Hayes explores the significance of Gray’s Anatomy and explains why it came to symbolize a turning point in medical history. But he does much, much more. Uncovering a treasure trove of forgotten letters and diaries, he illuminates the astonishing relationship between the fiercely gifted young anatomist Henry Gray and his younger collaborator H. V. Carter, whose exquisite anatomical illustrations are masterpieces of art and close observation. Tracing the triumphs and tragedies of these two extraordinary men, Hayes brings an equally extraordinary era–the mid-1800s–unforgettably to life.
But the journey Hayes takes us on is not only outward but inward–through the blood and tissue and organs of the human body–for The Anatomist chronicles Hayes’s year as a student of classical gross anatomy, performing with his own hands the dissections and examinations detailed by Henry Gray 150 years ago. As Hayes’s acquaintance with death deepens, he finds his understanding and appreciation of life deepening in unexpected and profoundly moving ways.
The Anatomist is more than just the story of a book. It is the story of the human body, a story whose beginning and end we all know and share but that, like all great stories, is infinitely rich in between.
The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, Second Edition (Yale Nota Bene)
by Sandra M. Gilbert
from Yale University Press
This pathbreaking book of feminist criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual.
English Society in the Eighteenth Century, Second Edition (The Penguin Social History of Britain)
by Roy Porter
from Penguin (Non-Classics)
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