Yankee Stadium: The Official Retrospective
by Al Santasiere
from Pocket
It's been eighty-five years since Yankee Stadium opened. Soon the Yankees will leave the field, fans will file out and the lights will fade. But the lights will never go out on the Stadium that has proudly worn the moniker "The House That Ruth Built."
Yankee Stadium: The Official Retrospective recounts the story of this extraordinary American landmark. It captures the creation of a home for the New York Yankees that began in 1923 and was driven by co-owner Jacob Ruppert, who envisioned a ballpark grander than any other conceived at the time. It takes the reader from the field to the dugout, from the press box to the clubhouse, from principal owner George Steinbrenner's office to Monument Park. Every corner of the stadium is revealed.
But Yankee Stadium is more than a ballpark. The most iconic moments in history have taken place within its walls: Lou Gehrig's poignant farewell to his team and the fans who would never forget him; epic heavy-weight fights, from Louis versus Schmeling to Ali versus Norton; the 1958 National Football League championship, christened the "Greatest Game Ever Played"; exciting college football games, including the one immortalized by Knute Rockne in which he asked Notre Dame to "win one for the Gipper"; and the unrivaled record-breaking successes of the New York Yankees, from the very first home run hit at the Stadium by Babe Ruth to Alex Rodriguez' 500th.
With the unprecedented cooperation of the New York Yankees organization, photographs have been culled from every conceivable source. More than 250 photographs - many never before published - will allow you to walk in the Stadium beside Mantle and Maris, witness the only perfect game in World Series history, and see the Stadium during the stirring 2001 World Series.
Yankee Stadium: The Official Retrospective is more than just photographs. It is also graced with firsthand accounts of what it was like to be there as history unfolded. Some of the contributors include: George Steinbrenner, Presidents George H.W. Bush and Bill Clinton, former Vice President Dan Quayle, former New York City Mayor Rudy Giuliani, New York City Mayor Michael Bloomberg, former New York Gov. Mario Cuomo, Paul McCartney, Muhammad Ali, Jim Brown, Don Shula, Sugar Ray Leonard, Frank Gifford, Regis Philbin, Joe Torre, Derek Jeter, Don Mattingly, Roger Clemens, Alex Rodriguez, Yogi Berra, Phil Rizzuto, Reggie Jackson, and Cal Ripken Jr.
It has been said that the shaded outfield of Yankee Stadium houses the ghosts of long-gone Yankee greats - at least that's what the players swear they feel as the long days of summer wane into the heated race for the pennant. Or could it be the knowledge that, within those walls, they will always be measured against the titans who came before them? It is the power of the place that led Sports Illustrated to call Yankee Stadium the greatest venue of the twentieth century. And only here, within the pages of Yankee Stadium: The Official Retrospective, can you feel what they feel.
The Best Game Ever: Giants vs. Colts, 1958, and the Birth of the Modern NFL
by Mark Bowden
from Atlantic Monthly Press
Hospital: Man, Woman, Birth, Death, Infinity, Plus Red Tape, Bad Behavior, Money, God andDiversity on Steroids
by Julie Salamon
from Penguin Press HC, The
A bestselling author and award winning journalist follows a year in the life of a big urban hospital, painting a revealing portrait of how medical care is delivered in America today
Most people agree that there are complicated issues at play in the delivery of health care today, but those issues may not always be what we think they are. In 2005, Maimonides Hospital in Brooklyn, New York, unveiled a new state-of-theart, multimillion-dollar cancer center. Determined to understand the whole spectrum of factors that determine what kind of medical care people receive in this country, bestselling author Julie Salamon spent one year tracking the progress of the center and getting to know the characters who make the hospital run. Located in a community where sixty-seven different languages are spoken, Maimonides is a case study for the particular kinds of concerns that arise in institutions that serve an increasingly multicultural American demographic. Granted an astonishing “warts and all” level of access by the hospital higher-ups, Salamon followed the doctors, patients, administrators, nurses, ambulance drivers, cooks, and cleaning staff. She explored not just the action on the ground—what happens between doctors and patients—but also the financial, ethical, technological, sociological, and cultural matters that the hospital community encounters every day.
Drawing on her skills as interviewer, observer, and social critic, Salamon presents the story of modern medicine, uniquely viewed from the vantage point of those who make it run. She draws out the internal and external political machinations that exist between doctors and staff as well as between hospital and community. And she grounds the science and emotion of medical drama in the financial realities of operating a huge, private institution that must contend with issues like adapting to the specific needs of immigrant groups that make up a large and growing portion of our society.
Salamon exposes struggles of both the profound and humdrum variety. There are bitter internal feuds, warm personal connections, comedy, egoism, greed, love, and loss. There are rabbinic edicts to contend with as well as imams and herbalists and local politicians. There are system foul-ups that keep blood test results from being delivered on time, careless record keepers, shortages of everything except forms to fill, recalcitrant and greedy insurance reimbursement systems, and the surprising difficulty of getting doctors to wash their hands.
This is the dynamic universe of small and large concerns and personalities that, taken together, determine the nature of our care and assume the utmost importance. As Martin Payson—chairman of the board at Maimonides and ex-Time-Warner vice chairman—puts it: “Hospitals have a lot in common with the movie business. You’ve got your talent, entrepreneurs, ambition, ego stroking, the business versus the creative part. The big difference is that in the hospital you don’t get second takes. Movies are make-believe. This is real life.”
Tompkins Square Park
by Q. Sakamaki
from powerHouse Books
Summer 1988. Tompkins Square Park, which long served as a makeshift home for the homeless and a center for social unrest, erupted in violence when the New York City Police and hundreds of rioters clashed over ideological differences. Residents of the Lower East Side, historically home to diverse immigrant communities but facing gentrification, united to protest the 1 a.m. curfew the city was attempting to enforce on the park, in effect banishing the homeless and closing off many areas of the park that were once public. Over the humid night of August 6, protestors carrying signs that read "Gentrification is Class War" and chanting "It's our fucking park, you don't live here!" clashed with police armed with riot gear. The violence lasted until the next morning. The August 6 police riot—so called because the consensus was that the police overreacted to the protestors—and subsequent Tompkins Square Park riots were the manifestation of a larger concern of the over-gentrification of the Lower East Side. The Lower East Side has a long history of liberal, and at times radical, movements that attracted artists, intellectuals, anarchists, activists, squatters, immigrants, and even exiles. Many in the community, unlike in other more passive communities facing gentrification, stood up and worked together with the homeless to protect housing rights and human rights, as well as their own lifestyle. By 1991, the estimated 300 homeless people living in Tompkins Square Park were gone and the park was forcefully closed for renovations. Twenty years after the police riots, the park now boasts one of the best dog runs in New York City. Tompkins Square Park is about the resistance and struggle of people in the Lower East Side literally to exist as the community faced drastic gentrification in the late 1980s and mid-1990s. It focuses on the eponymous park as a symbol and stronghold of the anti-gentrification movement, for the riots proved to be a trigger to further radicalize the community's political movement. Living near the park, photographer Q. Sakamaki witnessed the change from the beginning to the end. With striking black-and-white images, he captures the scene of one of the most political and avant-garde movements in New York history.
A Freewheelin' Time: A Memoir of Greenwich Village in the Sixties
by Suze Rotolo
from Broadway
A Freewheelin’ Time is Suze Rotolo’s firsthand, eyewitness, participant-observer account of the immensely creative and fertile years of the 1960s, just before the circus was in full swing and Bob Dylan became the anointed ringmaster. It chronicles the back-story of Greenwich Village in the early days of the folk music explosion, when Dylan was honing his skills and she was in the ring with him.
A shy girl from Queens, Suze Rotolo was the daughter of Italian working-class Communists. Growing up at the start of the Cold War and during McCarthyism, she inevitably became an outsider in her neighborhood and at school. Her childhood was turbulent, but Suze found solace in poetry, art, and music. In Washington Square Park, in Greenwich Village, she encountered like-minded friends who were also politically active. Then one hot day in July 1961, Suze met Bob Dylan, a rising young musician, at a folk concert at Riverside Church. She was seventeen, he was twenty; they were young, curious, and inseparable. During the years they were together, Dylan was transformed from an obscure folk singer into an uneasy spokesperson for a generation.
Suze Rotolo’s story is rich in character and setting, filled with vivid memories of those tumultuous years of dramatic change and poignantly rising expectations when art, culture, and politics all seemed to be conspiring to bring our country a better, freer, richer, and more equitable life. She writes of her involvement with the civil rights movement and describes the sometimes frustrating experience of being a woman in a male-dominated culture, before women’s liberation changed the rules for the better. And she tells the wonderfully romantic story of her sweet but sometimes wrenching love affair and its eventual collapse under the pressures of growing fame.
A Freewheelin’ Time is a vibrant, moving memoir of a hopeful time and place and of a vital subculture at its most creative. It communicates the excitement of youth, the heartbreak of young love, and the struggles for a brighter future.
Living on the Black: Two Pitchers, Two Teams, One Season to Remember
by John Feinstein
from Little, Brown and Company
Pitchers are the heart of baseball, and John Feinstein tells the story of the game today through one season and two great pitchers working in the crucible of the
The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge
by David McCullough
from Simon & Schuster
In the 19th century, the Brooklyn Bridge was viewed as the greatest engineering feat of mankind. The Roeblings--father and son--toiled for decades, fighting competitors, corrupt politicians, and the laws of nature to fabricate a bridge which, after 100 years, still provides one of the major avenues of access to one of the world's busiest cities--as compared to many bridges built at the same time which collapsed within decades or even years. It is refreshing to read such a magnificent story of real architecture and engineering in an era where these words refer to tiny bits and bytes that inspire awe only in their abstract consequences, and not in their tangible physical magnificence.
This monumental book is the enthralling story of one of the greatest events in our nation's history, during the Age of Optimism -- a period when Americans were convinced in their hearts that all things were possible.
In the years around 1870, when the project was first undertaken, the concept of building an unprecedented bridge to span the East River between the great cities of Manhattan and Brooklyn required a vision and determination comparable to that which went into the building of the great cathedrals. Throughout the fourteen years of its construction, the odds against the successful completion of the bridge seemed staggering. Bodies were crushed and broken, lives lost, political empires fell, and surges of public emotion constantly threatened the project. But this is not merely the saga of an engineering miracle; it is a sweeping narrative of the social climate of the time and of the heroes and rascals who had a hand in either constructing or exploiting the surpassing enterprise.
The Island at the Center of the World: The Epic Story of Dutch Manhattan and the Forgotten Colony That Shaped America
by Russell Shorto
from Vintage
When the British wrested New Amsterdam from the Dutch in 1664, the truth about its thriving, polyglot society began to disappear into myths about an island purchased for 24 dollars and a cartoonish peg-legged governor. But the story of the Dutch colony of New Netherland was merely lost, not destroyed: 12,000 pages of its records–recently declared a national treasure–are now being translated. Drawing on this remarkable archive, Russell Shorto has created a gripping narrative–a story of global sweep centered on a wilderness called Manhattan–that transforms our understanding of early America.
The Dutch colony pre-dated the “original” thirteen colonies, yet it seems strikingly familiar. Its capital was cosmopolitan and multi-ethnic, and its citizens valued free trade, individual rights, and religious freedom. Their champion was a progressive, young lawyer named Adriaen van der Donck, who emerges in these pages as a forgotten American patriot and whose political vision brought him into conflict with Peter Stuyvesant, the autocratic director of the Dutch colony. The struggle between these two strong-willed men laid the foundation for New York City and helped shape American culture. The Island at the Center of the World uncovers a lost world and offers a surprising new perspective on our own.
The Man in the White Sharkskin Suit: My Family's Exodus from Old Cairo to the New World
by Lucette Lagnado
from Ecco
In vivid and graceful prose, Lucette Lagnado re-creates the majesty and cosmopolitan glamour of Cairo in the years between World War II and Gamal Abdel Nasser's rise to power. Her father, Leon, was a boulevardier who conducted business on the elegant terrace of Shepheard's Hotel, and later, in the cozy, dark bar of the Nile Hilton, dressed in his signature white sharkskin suit. But with the fall of King Farouk and Nasser's nationalization of Egyptian industry, Leon and his family lose everything. As streets are renamed, neighborhoods of their fellow Jews disbanded, and the city purged of all foreign influence, the Lagnados, too, must make their escape. With all of their belongings packed into twenty-six suitcases, their jewels and gold coins hidden in sealed tins of marmalade, Leon and his family depart for any land that will take them. The poverty and hardships they encounter in their flight from Cairo to Paris to New York are strikingly juxta-posed against the beauty and comforts of the lives they left behind.
An inversion of the American dream set against the stunning portraits of three world cities, Lucette Lagnado's memoir offers a grand and sweeping story of faith, tradition, tragedy, and triumph.
Winner of the Sami Rohr Prize for Jewish Literature and hailed by the New York Times Book Review as a "brilliant, crushing book" and the New Yorker as a memoir of ruin "told without melodrama by its youngest survivor," The Man in the White Sharkskin Suit recounts the exile of the author's Jewish Egyptian family from Cairo in 1963 and her father's heroic and tragic struggle to survive his "riches to rags" trajectory.
When I Was Puerto Rican
by Esmeralda Santiago
from Da Capo Press
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