In Justice: Inside the Scandal That Rocked the Bush Administration
by David Iglesias
from Wiley
The Bush administration's drive to politicize the Justice Department reached a new low with the wrongful firing of seven U.S. Attorneys in late 2006. Their action has ignited public outrage on a scale that far surpassed the reaction to any of the Bush administration's other political debacles. David Iglesias was one of those federal prosecutors, and now he tells his story.
Iglesias has long served in the Navy as part of the JAG corps. One of his earliest cases, about an assaulted Marine in Guantanamo Bay, became the basis for the movie A Few Good Men. When Bush chose him to become the U.S. Attorney for New Mexico, it was a dream come true. He was a core member of Karl Rove's idealized Republican Party of the future -- handsome, Hispanic, evangelical, and a military veteran. The dream came to an abrupt end when Senator Pete Domenici improperly called Iglesias, wanting him to indict high-level Democrats before the 2006 elections. When Iglesias refused, the line went dead. Iglesias was fired just weeks later. First, he was devastated. Then, he was angry. Now, he is speaking out.
Iglesias recounts his interactions with Bush, Rove, Alberto Gonzales, and other key players as he takes readers into his time at the Justice Department to reveal what top Republican officials said and did, and how they subverted justice.
From Greenwich Village to Taos: Primitivism and Place at Mabel Dodge Luhan's (Cultureamerica)
by Flannery Burke
from University Press of Kansas
They all came to Taos: Georgia O'Keefe, D. H. Lawrence, Carl Van Vechten, and other expatriates of New York City. Fleeing urban ugliness, they moved west between 1917 and 1929 to join the community that art patron Mabel Dodge created in her Taos salon and to draw inspiration from New Mexico's mountain desert and "primitive" peoples. As they settled, their quest for the primitive forged a link between "authentic" places and those who called them home.
In this first book to consider Dodge and her visitors from a New Mexican perspective, Flannery Burke shows how these cultural mavens drew on modernist concepts of primitivism to construct their personal visions and cultural agendas. In each chapter she presents a place as it took shape for a different individual within Dodge's orbit. From this kaleidoscope of places emerges a vision of what place meant to modernist artists--as well as a narrative of what happened in the real place of New Mexico when visitors decided it was where they belonged. Expanding the picture of early American modernism beyond New York's dominance, she shows that these newcomers believed Taos was the place they had set out to find--and that when Taos failed to meet their expectations, they changed Taos.
Throughout, Burke examines the ways notions of primitivism unfolded as Dodge's salon attracted artists of varying ethnicities and the ways that patronage was perceived--by African American writers seeking publication, Anglos seeking "authentic" material, Native American artists seeking patronage, or Nuevomexicanos simply seeking respect. She considers the notion of "competitive primitivism," especially regarding Carl Van Vechten, and offers nuanced analyses of divisions within northern New Mexico's arts communities over land issues and of the ways in which Pueblo Indians spoke on their own behalf.
Burke's book offers a portrait of a place as it took shape both aesthetically in the imaginations of Dodge's visitors and materially in the lives of everyday New Mexicans. It clearly shows that no people or places stand outside the modern world--and that when we pretend otherwise, those people and places inevitably suffer.
This book is part of the CultureAmerica series.
Top Secret/Majic: Operation Majestic-12 and the United States Government's UFO Cover-up
by Stanton T. Friedman
from Da Capo Press
What Caused the Pueblo Revolt of 1680? (Historians at Work)
by David J. Weber
from Bedford/St. Martin's
When Jesus Came, the Corn Mothers Went Away: Marriage, Sexuality, and Power in New Mexico, 1500-1846
by Ramon Gutierrez
from Stanford University Press
The Spell of New Mexico
from University of New Mexico Press
A rich gathering of essays that evoke the unique and mysterious appeal New Mexico has had for some of the twentieth centuryÂ’s best-known writers. Included are selections by Mary Austin, Oliver La Farge, Conrad Richter, D.H. Lawrence, C.G. Jung, Winfield Townley Scott, John DeWitt McKee, Ernie Pyle, Harvey Fergusson, and Lawrence Clark Powell. HillermanÂ’s preface and introduction are choice specimens of his incisive humor and his own deep love of the state.
“Should be required reading for all those who call themselves New Mexican.”—James Arnholz
Down the Santa Fe Trail and into Mexico: The Diary of Susan Shelby Magoffin, 1846-1847 (Yale Western Americana Paperbound, Yw-3.)
by Susan Shelby Magoffin
from Bison Books
Her journal describes the excitement, routine, and dangers of a successful merchant's wife. On the trail for fifteen months, moving from house to house and town to town, she became adept in Spanish and the lingo of traders, and wrote down in detail the customs and appearances of places she went. She gave birth to her first child during the journey and admitted, "This thing of marrying is not what it is cracked up to be."
Valuable as a social and historical record of her encounters—she met Zachary Taylor and was agreeably disappointed to find him disheveled but kindly—her journal is equally important as a chronicle of her growing intelligence, experience, and strength, her lost illusions and her coming to terms with herself.
Cities of Gold: A Journey Across the American Southwest
by Douglas Preston
from University of New Mexico Press
This riveting true story recounts the author’s journey on horseback across Arizona and New Mexico, retracing Coronado’s desperate search for the legendary Seven Cities of Gold. First published in 1992 and now available only from UNM Press, this classic adventure tale reveals the Southwest as it was when Europeans first saw it and shows how much, and how little, it has changed. “The great myth of the American West,” Preston writes, “is that there was a winning of it.”
Georgia O'Keeffe Museum Collections
by Barbara Buhler Lynes
from Harry N. Abrams, Inc.
Georgia OÂ’Keeffe is one of the great artists of the twentieth century, and one of the best loved. The Georgia OÂ’Keeffe Museum in Santa Fe, New Mexico, holds the largest collection of her work, her archives, and her houses at Ghost Ranch and in Abiquiu.
This lavishly illustrated volume presents a magnificent selection of O’Keeffe’s paintings, drawings, and sculptures, all reproduced in faithful color. It also offers a generous portfolio of photographs—some previously unpublished—by O’Keeffe; many by Alfred Stieglitz, her husband and mentor; and others by such renowned photographers as Ansel Adams, Eliot Porter, Philippe Halsman, Yousuf Karsh, and Todd Webb.
In addition, there are a number of works by American Modernist painters who painted in New Mexico—George Bellows, Thomas Hart Benton, and Edward Hopper, among others.
The Day After Roswell
by William J. Birnes
from Atria Books
If you've ever wondered what crashed into the desert near Roswell, New Mexico, in 1947, this book will give you some startling answers. While the first version was published in hardcover in 1997, Corso provides new evidence for the presence of alien intruders in this pocket paperback edition. Whether or not you believe his contention, the sheer weight of governmental sources and documentation presented by the former Army intelligence officer is not easily dismissed. Once you understand the historical context (in the midst of the Cold War soon after World War II, with Orson Welles having recently inspired panic in citizens with his fictional War of the Worlds radio broadcast), the military deciding to cover up a real-life alien ship becomes more credible. Corso also gives a convincing explanation of why reports were so multi-various and conflicting. Even if you believe the book is utter fiction, it's still a compelling read. --Randall Cohan
A landmark exposé firmly grounded in fact, The Day After Roswell ends the decades-old controversy surrounding the mysterious crash of an unidentified aircraft at Roswell, New Mexico, in 1947. Backed by documents newly declassified through the Freedom of Information Act, Colonel Philip J. Corso (Ret.), a member of President Eisenhower's National Security Council, reveals his past stewardship of alien artifacts from the Roswell crash. Here is an extraordinary memoir.
A landmark expose firmly grounded in fact, The Day After Roswell puts a fifty-year-old controversy to rest. Since 1947, the mysterious crash of an unidentified aircraft at Roswell, New Mexico, has fueled a firestorm of speculation and controversy with no conclusive evidence of its extraterrestrial origin - until now. Colonel Philip J. Corso (Ret.), a member of President Eisenhower's National Security Council and former head of the Foreign Technology Desk at the U.S. Army's Research & Development department, has come forward to tell the whole explosive story. Backed by documents newly declassified through the Freedom of Information Act, Colonel Corso reveals for the first time his personal stewardship of alien artifacts from the crash, and discloses the U.S. government's astonishing role in the Roswell incident: what was found, the cover-up, and how these alien artifacts changed the course of twentieth-century history.
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